Trascrizione (en)

I mean, for me, I was so excited by the challenge of Eleanor Dashwood. She's a character I fell in love with when I read her as a teenager. I felt I really understood her. And I was so enamored by Georgia Oakley's vision for this film and also Diana, our screenwriter's script. So for me, I read the book, and I read the book, and I read the book, and I read the book, and I read the book. And then I stopped reading the book. And I sort of really allowed instinct to take over. And I think that the entire experience of making this felt really instinctual. And perhaps that's because of the nature of our filmmaker, but also shooting on film. You kind of have to act a little on instinct because you have fewer takes and the stakes are a little higher. And we're just working with some of the best actors of, you know, of our time. Like so for me, it was just really about being present and listening and allowing the brilliant dialogue to kind of take over a little. Yeah.